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Movie Reviews:-


Mayank Shekhar : Hindustan Times
A commercially successful, massively scaled mainstream film that doesn’t just make a song and dance of it all could certainly change Bollywood forever. Of all, I’m glad Johar also made that move. Sure, this movie’s a risk. Shouldn’t each be anyway?

Gaurav Malani : INDIATIMES MOVIES
Like his placard that reads ‘Repair almost anything’, Shah Rukh Khan makes up for every minor inconsistency in the film. My Name is Khan is worth a watch on his name alone.

india-server.com
‘My Name is Khan’ is definitely a movie of substance and is a must watch for both Shah Rukh’s fans and the ones wanting to see a logical nice movie!

Anupama Chopra : movies.ndtv.com
Rizwan is undeniably the best thing about My Name is Khan. Shah Rukh’s performance has little subtlety about it – for that watch Hugh Dancy doing Asperger’s in Adam – but it is heartfelt, endearing and more controlled than anything he’s ever done before. Watch him in a lovely scene in which Kajol accepts his proposal or how he restrains his tears so that his eyes brim but never well over.
I recommend that you see Khan for him. The film itself is too uneven to give us the emotional high we were waiting for.

Mihir Fadnavis : India.com
Director Karan Johar, the visionary that he is, injects new life into the stale Bollywood drama genre by introducing a mentally handicapped leading man and his loving wife, only to pull the rug from under us by transposing their roles when you least expect it. The acting is expectedly over the top, but MNIK thankfully does not completely reduce SRK, one of the best screen actors of all time, to a mugging embarrassment. Shahrukh really tries hard to dole up a studied, thoughtful performance, but the story is just terrible and written, no doubt, to accommodate several agendas. The ploy works, for SRK’s Rizwan Khan WILL melt fans’ hearts and leave them chanting, ‘Filmfare award! Filmfare award!! Get this guy a Filmfare award!!’

Taran Adarsh : Bollywoodhungama.com
On the whole, MY NAME IS KHAN is a fascinating love story, has an angle of religion and a world-shaking incident as a backdrop. It not only entertains, but also mesmerises, enthrals and captivates the viewer in those 2.40 hours. At the same time, a film like MY NAME IS KHAN is sure to have a far-reaching influence due to its noble theme. I strongly advocate, don’t
miss this one!

Shweta Parande : ibnlive.in.com
My Name is Khan is unlike any other Karan Johar-directed film, although it has glimpses of his past work. It does not have masala, no mindless song and dance, and no comic fillers. It has a very strong main message, and several others tucked in.
KJo has sure come a long way from candyfloss.

Raja Sen : movies.rediff.com
My Name Is Khan is a film that will have the galleries cheering and making sure there aren’t many dry eyes in the house. The applause will ring wild and while many might complain that Johar has simply ditched old movie cliches for more American ones, none can argue that the segue seems surprisingly seamless.
Karan Johar’s finally made his first grown-up film, and made it well. It could have been the stuff of much more, but let us leave that for another day. This is a film that will inspire, make aware, make happy.

Amit Tiwari : Samaylive.com
A fascinating love story
The film ‘My name Is Khan’ is prestigious project for Karan Johar as a director. After Kuch Kuch Hota Hai and Kabhie Khushi Kabhie Ghum, Johar once again returned with SRK-Kajol pair on celluloid.
MNIK’s success will be proved as a landmark in Karan Johar’s directorial career.

Harshita Kohli : Starboxoffice.com
Kajol is brilliant and this time her eyes do a lot more tlaking than her words. Watch out for the change in emotions reflected so beautifully in her eyes as the film goes through its turmoils. The screenplay clearly shows that both Shibani Bathija and Karan Johar have done their research and done it well. You can see that in SRK’s mannerisms and in the bigger picture.
But the true credit of the film goes to only one person – Shah Rukh Khan. Shah Rukh Khan carries the story entirely on his shoulder without any crutches of make-up and prosthetics, his signature lover boy image left at the door along with the designer clothes or larger than life dialogues.